To plot a monitor mode diagram, you'll need the gnuplot package (a
freeware plotting language for UNIX-like operating systems) and the
tool modeplot, a shell/gnuplot script to plot the diagram from your
monitor characteristics, entered as command-line options.
Here is a copy of modeplot:
#!/bin/sh # # modeplot -- generate X mode plot of available monitor modes # # Do `modeplot -?' to see the control options. # # ($Id: video-modes.sgml,v 1.2 1997/08/08 15:07:24 esr Exp $) # Monitor description. Bandwidth in MHz, horizontal frequencies in kHz # and vertical frequencies in Hz. TITLE="Viewsonic 21PS" BANDWIDTH=185 MINHSF=31 MAXHSF=85 MINVSF=50 MAXVSF=160 ASPECT="4/3" vesa=72.5 # VESA-recommended minimum refresh rate while [ "$1" != "" ] do case $1 in -t) TITLE="$2"; shift;; -b) BANDWIDTH="$2"; shift;; -h) MINHSF="$2" MAXHSF="$3"; shift; shift;; -v) MINVSF="$2" MAXVSF="$3"; shift; shift;; -a) ASPECT="$2"; shift;; -g) GNUOPTS="$2"; shift;; -?) cat <<EOF modeplot control switches: -t "<description>" name of monitor defaults to "Viewsonic 21PS" -b <nn> bandwidth in MHz defaults to 185 -h <min> <max> min & max HSF (kHz) defaults to 31 85 -v <min> <max> min & max VSF (Hz) defaults to 50 160 -a <aspect ratio> aspect ratio defaults to 4/3 -g "<options>" pass options to gnuplot The -b, -h and -v options are required, -a, -t, -g optional. You can use -g to pass a device type to gnuplot so that (for example) modeplot's output can be redirected to a printer. See gnuplot(1) for details. The modeplot tool was created by Eric S. Raymond <[email protected]> based on analysis and scratch code by Martin Lottermoser <[email protected]> This is modeplot $Revision: 1.2 $ EOF exit;; esac shift done gnuplot $GNUOPTS <<EOF set title "$TITLE Mode Plot" # Magic numbers. Unfortunately, the plot is quite sensitive to changes in # these, and they may fail to represent reality on some monitors. We need # to fix values to get even an approximation of the mode diagram. These come # from looking at lots of values in the ModeDB database. F1 = 1.30 # multiplier to convert horizontal resolution to frame width F2 = 1.05 # multiplier to convert vertical resolution to frame height # Function definitions (multiplication by 1.0 forces real-number arithmetic) ac = (1.0*$ASPECT)*F1/F2 refresh(hsync, dcf) = ac * (hsync**2)/(1.0*dcf) dotclock(hsync, rr) = ac * (hsync**2)/(1.0*rr) resolution(hv, dcf) = dcf * (10**6)/(hv * F1 * F2) # Put labels on the axes set xlabel 'DCF (MHz)' set ylabel 'RR (Hz)' 6 # Put it right over the Y axis # Generate diagram set grid set label "VB" at $BANDWIDTH+1, ($MAXVSF + $MINVSF) / 2 left set arrow from $BANDWIDTH, $MINVSF to $BANDWIDTH, $MAXVSF nohead set label "max VSF" at 1, $MAXVSF-1.5 set arrow from 0, $MAXVSF to $BANDWIDTH, $MAXVSF nohead set label "min VSF" at 1, $MINVSF-1.5 set arrow from 0, $MINVSF to $BANDWIDTH, $MINVSF nohead set label "min HSF" at dotclock($MINHSF, $MAXVSF+17), $MAXVSF + 17 right set label "max HSF" at dotclock($MAXHSF, $MAXVSF+17), $MAXVSF + 17 right set label "VESA $vesa" at 1, $vesa-1.5 set arrow from 0, $vesa to $BANDWIDTH, $vesa nohead # style -1 plot [dcf=0:1.1*$BANDWIDTH] [$MINVSF-10:$MAXVSF+20] \ refresh($MINHSF, dcf) notitle with lines 1, \ refresh($MAXHSF, dcf) notitle with lines 1, \ resolution(640*480, dcf) title "640x480 " with points 2, \ resolution(800*600, dcf) title "800x600 " with points 3, \ resolution(1024*768, dcf) title "1024x768 " with points 4, \ resolution(1280*1024, dcf) title "1280x1024" with points 5, \ resolution(1600*1280, dcf) title "1600x1200" with points 6 pause 9999 EOF
Once you know you have modeplot and the gnuplot package in
place, you'll need the following monitor characteristics:
The plot program needs to make some simplifying assumptions which are not necessarily correct. This is the reason why the resulting diagram is only a rough description. These assumptions are:
modeplot
programs assumes 4/3 by default, but you can override this.
HFL = F1 * HR
VFL = F2 * VR
As a rough guide, take F1 = 1.30 and F2 = 1.05 (see frame "Computing Frame Sizes").
Now take a particular sync frequency, HSF. Given the assumptions just presented, every value for the clock rate DCF already determines the refresh rate RR, i.e. for every value of HSF there is a function RR(DCF). This can be derived as follows.
The refresh rate is equal to the clock rate divided by the product of the frame sizes:
RR = DCF / (HFL * VFL) (*)
On the other hand, the horizontal frame length is equal to the clock rate divided by the horizontal sync frequency:
HFL = DCF / HSF (**)
VFL can be reduced to HFL be means of the two assumptions above:
VFL = F2 * VR
= F2 * (HR / AR)
= (F2/F1) * HFL / AR (***)
Inserting (**) and (***) into (*) we obtain:
RR = DCF / ((F2/F1) * HFL**2 / AR)
= (F1/F2) * AR * DCF * (HSF/DCF)**2
= (F1/F2) * AR * HSF**2 / DCF
For fixed HSF, F1, F2 and AR, this is a hyperbola in our diagram. Drawing two such curves for minimum and maximum horizontal sync frequencies we have obtained the two remaining boundaries of the permitted region.
The straight lines crossing the capability region represent particular resolutions. This is based on (*) and the second assumption:
RR = DCF / (HFL * VFL) = DCF / (F1 * HR * F2 * VR)
By drawing such lines for all resolutions one is interested in, one can immediately read off the possible relations between resolution, clock rate and refresh rate of which the monitor is capable. Note that these lines do not depend on monitor properties, but they do depend on the second assumption.
The modeplot tool provides you with an easy way to do this. Do
modeplot -? to see its control options. A typical invocation
looks like this:
modeplot -t "Swan SW617" -b 85 -v 50 90 -h 31 58
The -b option specifies video bandwidth; -v and -h set horizontal and vertical sync frequency ranges.
When reading the output of modeplot, always bear in mind that
it gives only an approximate description. For example, it disregards
limitations on HFL resulting from a minimum required sync pulse width,
and it can only be accurate as far as the assumptions are. It is
therefore no substitute for a detailed calculation (involving some
black magic) as presented in
Putting it All Together. However, it should give you a better feeling for what
is possible and which tradeoffs are involved.